With an assist from ‘Captain America: Civil War,’ the teasers for the first four ‘Avengers’ movies hyped an increasingly complex cinematic universe. ‘Doomsday’ arrives with none of that.
Hello! Welcome to TheBox Office Report for the weekend of July 17-19, 2026.
1. The Odyssey
Weekend gross: $124.5M Total domestic gross: $124.5M Last weekend: New release Percent drop: NA
It’s wild that, driven by IMAX innovation and a love of the Gotham font, Christopher Nolan films have become a franchise of their own. The Odyssey just landed the third biggest opening weekend of 2026, with its $124.5 million debut outdoing Michael ($97.2 million) and falling not that far behind The Super Mario Galaxy Movie ($131.7 million).
The Odyssey’s opening weekend is the first $100 million+ debut for Nolan since The Dark Knight Rises opened with $160.9 million in 2012. It’s also the director’s biggest non-Batman opening weekend, also trailing The Dark Knight’s $158.4 million. Nolan’s adaptation is also the biggest non-Deadpool opening weekend for an R-rated movie, sneaking past It’s $123.4 million. (The Deadpool trilogy rapidly became the gold standard for R-rated opening weekends, thanks to Deadpool 2’s $125.5 million debut, Deadpool’s $132.4 million debut and Deadpool & Wolverine’s $211.4 million debut.)
Knowing that I wasn’t going to be able to catch The Odyssey this weekend, I delayed buying a ticket at the Airbus IMAX Theater in Chantilly, Va. I then forgot to check back quickly enough for the upcoming week. I’ve been obsessively checking the Smithsonian website multiple times a day to see if and when more showtimes open up.
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2. Live-action Moana remake
Weekend gross: $19M Total domestic gross: $82.1M Last weekend: 1st Percent drop: 56
After bombing over its opening weekend, the live-action Moana remake turned in a better second weekend than I expected. A 56 percent weekend-to-weekend drop isn’t great, but Disney’s ill-fated film could’ve easily turned in a plunge in the 60 or 70 percent range.
Still, though, a $19 million second weekend for a Disney tentpole is bad. An $82.1 million domestic total through two weekends is bad. The original Moana had a $28.3 million second weekend to take its domestic total through that point to $119.8 million. Moana 2 raked in $51.3 million its second weekend and was a rounding error shy of a $300 million haul in North America by that point.
And it seems like everyone behind the live-action Moana remake has moved on. Dwayne Johnson is back to promoting his tequila brand on Instagram instead of pushing this movie.
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Weekend gross: $14.8M Total domestic gross: $430.9M Last weekend: 3rd Percent drop: 22
The fifth Toy Story movie showed remarkable hold over its fifth weekend, falling only 22 percent from last weekend. With a $430.9 million domestic haul, Toy Story 5 moves past Toy Story 3 ($415 million) to slide into the No. 5 spot on Pixar’s all-time ranking. The film should easily pass Toy Story 4 ($434 million) before Finding Dory ($486.3 million) stands between it and the feat of becoming the third Pixar film to pass $500 million in North America, joining Incredibles 2 ($608.6 million) and Inside Out 2 ($653 million).
I finally saw Toy Story 5 this weekend, and I’m beginning a campaign to get Conan O’Brien an Oscar nomination for Smarty Pants.
3T. Minions & Monsters
Weekend gross: $14.8M Total domestic gross: $137.6M Last weekend: 2nd Percent drop: 30
Minions & Monsters continues to dramatically lag behind the rest of the movies in the Despicable Me/Minions franchise. Its $137.6 million domestic total still sits at the bottom of the franchise’s ranks, still more than $100 million behind the $252.8 million that the original Despicable Me grossed in 2010.
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Weekend gross: $5M Total domestic gross: $24.2M Last weekend: 4th Percent drop: 64
Evil Dead Burn’s domestic total through two weekends almost exactly matches the $24.5 million that Evil Dead Rise, the previous film in the franchise, opened with in 2023.
Box office numbers via The Numbers and Box Office Mojo based on Sunday estimates.
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Issue No. 471
Popculturology is written and produced by Bill Kuchman. Copyediting by Tim Kuchman.
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The Omnicosm founder. Snackology, Popculturology and The Cold Open writer. A Rochester, N.Y., native now living in the Washington, D.C., area. Won’t pass up a Genny Cream Ale.
With an assist from ‘Captain America: Civil War,’ the teasers for the first four ‘Avengers’ movies hyped an increasingly complex cinematic universe. ‘Doomsday’ arrives with none of that.
Why do they have to keep being so weird about this movie? PLUS: Chloe Fineman leaves ‘SNL,’ Sam Neill passes away, and it’s obvious why the live-action ‘Moana’ remake failed.