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Are you ready to channel Sean Evans and add The Last Dab to your Chicken Dippers?
The ‘Wonka’ star’s second hosting gig was going great up until the very last second.
Why’d you do it, Saturday Night Live? Why did you take a basically perfect episode of SNL, brilliantly hosted by Timothée Chalamet, and pop Alec Baldwin in at the last possible second?
SNL’s hot streak was alive again this episode, with Chalamet returning as host for his second time. We saw his TikTok rapper return. We got a sequel to “Tiny Horse.” The cast was clicking. Rookie Chloe Troast had her breakout sketch.
And then Alec Baldwin appeared.
Why?
To the best of my knowledge, Baldwin isn’t promoting anything. He isn’t in Wonka with Chalamet. I absolutely know he isn’t in Dune: Part Two. (Unless he has a secret role voicing a sandworm.) For some reason, Lorne Michaels decided to bring back the dark shadow that haunted SNL for so many seasons, blocking out the careers of an entire generation of the cast, for a throwaway gag at the end of the night’s final sketch.
SNL doesn’t need Alec Baldwin. (Especially not after James Austin Johnson delivered another tour de force performance as Donald Trump in the cold open.) His involvement with the show should’ve stayed done after we last saw him on Nov. 7, 2020. What an insult to how far SNL and its faith in the cast has come over the last three years.
It’s been a long time since we’ve seen a political sketch like this on SNL. In fairness, it’s been four years since the last primary season began, but that feels like a lifetime ago. With the “Republican kids’ table debate” happening earlier this week, SNL had the chance to return to the political well.
With the actors strike over, Timothée Chalamet was allowed to promote his upcoming movies, Wonka and Dune: Part Two. Had the strike still been going on, we wouldn’t have been able to visit this “world of shameless self promotion.”
I’m breaking the rules here and naming two sketches of the week. (I’m still kicking myself for not going with “Washington’s Dream” as the sketch of the week from Nate Bargatze’s episode.)
There were two sketches that Chalamet had to bring back when he hosted SNL for the second time. This was one of them. We first met $moke Chedda Tha Ass Getta a few years ago, and it seems like his knowledge of hip hop has only gotten worse during that time.
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And this was the other sketch that had to return with Chalamet. The last time we saw Tiny Horse, he was, well, tiny. Now he’s giant — and he “wants to crush the human race.”
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SNL added only one new castmember this season: Chloe Troast. And the “Little Orphan Cassidy” sketch is her breakout moment. I don’t know why this character sings like a combination of Michael McDonald and Justin Timberlake and Andy Samberg counting down the steps to putting your dick in a box, but it worked.
Chloe Fineman’s impression of Britney Spears continues to be one of the strongest portrayals that SNL currently has in its arsenal.
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A simple sketch idea but a very effective one thanks to the writing. Chalamet’s line “a dog isn’t the color dog” made me laugh.
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I believe this is the second time that Heidi Gardner has visited the Weekend Update desk as Crystal, your coworker who is extremely busy doing seemingly nothing. As always, Gardner goes all out, tossing phones and destroying a Chipotle burrito.
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This one feels like an end-of-the-night sketch. The weirdness of Troye Sivan as a sleep demon probably wouldn’t have clicked right off the monologue. Chalamet was having fun with this one, doing his best to hit the dance moves next to Sarah Sherman.
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Please Don’t Destroy hasn’t missed an episode yet this season (and John Higgins even got to be in the cold open). Seeing the trio outside of their SNL office gave “Jumper” a bit of a Digital Short vibe.
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When I saw the recording studio set, I thought we were going to see a return of Devon Walker’s Young Spicy from last season’s Ana de Armas episode. Turns out it was just a recording session for an increasingly deranged Calm sleep story.
Jason Momoa hosts SNL on Nov. 18 with Tate McCrae as the musical guest.
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