Taco Bell is feeling spicy with its Frank’s RedHot Diablo Sauce menu
The two iconic hot sauces have teamed up for a menu that included Nacho Fries, a burrito and a taco. (There’s even a bonus Flamin’ Hot burrito!)
A ‘Power Rangers’ reboot is in the works. PLUS: ‘Ted Lasso’ rises from the dead, trailers for ‘Elio,’ ‘Ballerina’ and ‘Freakier Friday,’ and has ‘Coyote vs. Acme’ been saved?
Hello. Welcome to a pretty hefty Friday edition of Popculturology. We can jump into the week’s news right after we contemplate whether or not our universe is actually inside another universe’s black hole ...
Wow, how about this week’s episode of The White Lotus? Wow. Where do we begin? Carrie Coon and her girlfriends bringing the party back to their pool? Sam Rockwell’s shocking monologue? The, um, brotherly love between Patrick Schwarzenneger and Sam Nivola? I’m just going to go with Walton Goggins’ reactions to Rockwell’s monologue.
We’re behind on Season 2 of Severance, only just watching the season premiere this past weekend. Woo boy, is that a confusing show to jump back into after an absurdly long hiatus.
After boycotting movies for the past few months, our daughter for some reason decided that this past weekend was the time to jump into the Toy Story series. I gave her the choice of which one to pick, and based on the Disney+ icon featuring Lotso, she chose Toy Story 3 because it had a teddy bear. (I didn’t want to spoil the Lotso twist for her.)
I understand why Disney made Toy Story 4. (And why it’s making Toy Story 5.) It’s a business. You gotta keep that Toy Story machine going. Tickets need to be sold. Disney+ subscriptions need to be renewed. Toys need to be pushed. But has there ever been a more perfect ending to a trilogy than Toy Story 3? (More on Pixar later in the newsletter ...)
After seeing Dreyer’s English author Benjamin Dreyer post about reading Frankenstein earlier this year, I decided that I’d add that book to my reading list.
I finished it on Tuesday, and it turns out my strategy using SparkNotes and not doing any of the reading for twelfth grade English class wasn’t as effective as I thought.
If you were a kid beginning in the 1990s, the Power Rangers have always been there. The original Mighty Morphin Power Rangers show was a massive phenomenon. There were toys. The movie. Toys based on the movie. There was a constant stream of new suits, new zords and new Rangers. You absolutely remember when they revealed that Tommy — his Green Ranger powers lost — was the new White Ranger.
(And, if you were like me and grew up in a household where Power Rangers was seen as too violent of a show, you made sure to time visits to your neighborhood friends’ homes for when the show was airing.)
While Power Rangers has continued to live on, repurposing footage from Super Sentai to create versions that spanned from Power Rangers Zeo in 1996 to Power Rangers Cosmic Fury in 2023, the franchise has been been looking for a firm pathway forward in the 2020s.
An attempt at a new theatrical series flopped with Power Rangers in 2017. The 30th anniversary special Mighty Morphin Power Rangers: Once & Always was too little too late, attempting to reassemble the original cast after the deaths of Jason David Frank and Thuy Trang, the original Green and Yellow Rangers. The fantastic Mighty Morphin Power Rangers comic series from Boom! Studios could’ve been a blueprint for a path forward, but the only live-action take we got on it was Frank as Lord Drakkon in a brief promo for the series. (If you love the original Power Rangers, do yourself a favor and read this series.)
Hasbro, which acquired the Power Rangers franchise in 2018, is now reportedly teaming up with Disney+ for a new series that’ll fully reboot the franchise.
Hasbro will produce the series, which will reinvent the franchise for a whole new generation of fans while delighting those who already know and love the world of Power Rangers.
If you had asked me ten years ago how I thought whoever owned Power Rangers (it was Disney from 2002 to 2010!) should move the franchise forward, I would’ve told them to go the legacy sequel route, bringing back the original actors like Frank to firmly seed the next generation of storytelling. With Frank gone, though, it’s probably best to reboot the entire thing. Hopefully Percy Jackson and the Olympians showrunners Jonathan E. Steinberg and Dan Shotz, who are in talks to write and showrun the project, will do a more faithful reboot than what we saw with the 2017 film. (TheWrap)
Despite Brendan Hunt’s insistence that the Ted Lasso finale wasn’t a dream, I’m still going with the theory that those final scenes were in the mind of Jason Sudeikis’ Ted Lasso as his plane went down. That view of the show’s series finale makes the news that Apple TV+ is bringing Ted Lasso back for a fourth season even more jarring.
“Ted Lasso has been nothing short of a juggernaut, inspiring a passionate fanbase all over the world, and delivering endless joy and laughter, all while spreading kindness, compassion and unwavering belief,” Matt Cherniss, head of programming for Apple TV+, said in a statement. “Everyone at Apple is thrilled to be continuing our collaboration with Jason and the brilliant creative minds behind this show.”
Apple may be thrilled that Ted Lasso is coming back, but are fans? The show really tanked in terms of quality over the course of its third season. I know I’m not excited to keep watching it — are you? (Apple TV+)
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