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# ‘Backrooms’ romps as ‘Obsession’ rises and ‘Mandalorian and Grogu’ crashes
- URL: https://www.theomnicosm.com/popculturology-box-office-report-backrooms/
- Published: 2026-06-01T11:00:28.000Z
- Updated: 2026-06-01T11:00:28.000Z
- Description: Two horror films dominated the weekend as Jon Favreau’s film became the first ‘Star Wars’ movie to not stay at No. 1 its second weekend.
- Author: Bill Kuchman
- Tags: Popculturology • The Box Office Report, Popculturology, Backrooms, Obsession, The Mandalorian and Grogu, Star Wars, Michael, The Breadwinner, Nate Bargatze

Hello! Welcome to **The** **Box Office Report** for the weekend of May 29-31, 2026.

## 1\. Backrooms

*Weekend gross: *$81.5M** 
*Total domestic gross: *$81.5M** 
*Last weekend: *New release** 
*Percent drop: *NA**

Three (near?) unprecedented events converged for a wild weekend at the box office: A 20-year-old director’s A24 horror film landed at No. 1 with a whopping $81.5 million debut. **Curry Barker**’s *Obsession* saw its second straight weekend-to-weekend *increase.* And a *Star Wars* movie not only failed to hold onto the top spot in its second weekend for the first time ever, but it fell to third.

Everyone is talking about *Backrooms* this week. Director **Kane Parsons** [turned his YouTube videos into a film](https://www.nytimes.com/2026/05/29/movies/kane-parsons-24-youngest-director-backrooms.html?ref=theomnicosm.com) that scored what’s estimated to be the fourth biggest weekend of any film in 2026\. *Backrooms*’s $81,456,295 could easily bump up when the final numbers come in on Monday, possibly nudging it past *The Mandalorian and Grogu*’s $81,670,433.

Between *Backrooms* and *Obsession*, it’s been a very good run for Blumhouse Productions/Atomic Monster, the production companies launched by **Jason Blum** and **James Wan**.

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## 2\. Obsession

*Weekend gross: *$26.4M** 
*Total domestic gross: *$104.8M** 
*Last weekend: *2nd** 
*Percent increase: *10**

Movies aren’t supposed to make more money with each passing weekend. That’s just not how this ever works. Sure, we see spikes when a studio dramatically increases the number of theaters a film is playing in, but not when those numbers are almost static.

Barker’s *Obsession* continues to defy those odds. After opening at No. 3 with $17.2 million, the film surged 39 percent last weekend for a $24 million haul, and then jumped another 10 percent this weekend to add another $26.4 million. *Obsession* has now passed the $100 million mark in North America, and shows no sign of slowing down.

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## 3\. The Mandalorian and Grogu

*Weekend gross: *$25M** 
*Total domestic gross: *$137.4M** 
*Last weekend: *1st** 
*Percent drop: *69**

But speaking of slowing down, it appears that the bottom has quickly fallen out for *The Mandalorian and Grogu*. Dating back to the release of the prequel trilogy, every *Star Wars* movie released — including the sequel trilogy and first two standalone films — has held on to the No. 1 spot over their second weekends in theaters. Even *Solo*, the film that everyone loves to say killed *Star Wars* movies.

*The Mandalorian and Grogu* not only didn’t stay on top of the box office, it tumbled down to third place. The film’s 69 percent weekend-to-weekend drop is the biggest we’ve seen during the modern era, surpassing *The Last Jedi*’s 67 percent drop and *Solo*’s 65 percent drop.

Has sending *The Mandalorian and Grogu* to theaters done irreparable damage to *Star Wars*? It’s obvious that this one was never up to theatrical quality, and Disney has turned to posting random social media accounts [praising the ability to see a *Star Wars* movie in theaters](https://www.instagram.com/p/DY8EUv5ElDs/?ref=theomnicosm.com) — not the quality of the movie itself — to mask the reality that [this is a pretty empty entry into the *Star Wars* canon](https://www.theomnicosm.com/popculturology-newsletter-colbert-late-show/). 

## 4\. Michael

*Weekend gross: *$11.7M** 
*Total domestic gross: *$339.9M** 
*Last weekend: *3rd** 
*Percent drop: *43**

After *Michael* debuted with $97.2 million, I theorized that the film was going to play like a concert film, scoring a massive opening weekend before quickly falling off. I was wrong. People really, really want to keep watching the **Michael Jackson** biopic. *Michael* just wrapped up its sixth weekend in theaters, and it’s yet to gross less than $10 million or fall out of the top five.

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## 5\. The Breadwinner

*Weekend gross: *$7.5M** 
*Total domestic gross: *$7.5M** 
*Last weekend: *New release** 
*Percent drop: *NA**

I know that **Nate Bargatze**’s goal here wasn’t to make a critically acclaimed comedy or to actually say something new or unique, but — wow — does *The Breadwinner* sound bad.

Pop culture writer and critic **Matt Zoller Seitz** called *The Breadwinner* “a feature film that looks and plays like a single-camera sitcom puffed up by creative ambitions that no one involved followed through on” in [his brutally honest review](https://www.rogerebert.com/reviews/the-breadwinner-nate-bergatze-movie-review-2026?ref=theomnicosm.com) of the film.

*Box office numbers via The Numbers and Box Office Mojo based on Sunday estimates.*

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Issue No. 457

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